Demond Matsuo & Karoline Schleh
September 13 - October 13
Thursday, September 29, 2011
Tuesday, September 27, 2011
Tuesday, September 20, 2011
The gallery exhibition of new works by George Marks has been extended through Septmeber 24th.......
An exhibiton of George's work “Nineneuf9” was also recently featured at
The Acadiana Center for the Arts
Side Gallery: George Marks Nineneuf9
August 13 – September 3, 2011
George Marks’s exhibition includes selected pieces from an ongoing series which Marks as the main character within environments representative of the landscape and culture of South Louisiana. The pieces are orchestrated to fit a continuous installation, while each individual piece is a stand-alone improvisation. As in past work, his medium is inextricably webbed to his sense-of-place message, incorporating a combination of materials and techniques. Although self-portraits, these works are a shared experience, allowing for personal and tactile associations – each may relate to a specific, personal memory for any viewer.
An exhibiton of George's work “Nineneuf9” was also recently featured at
The Acadiana Center for the Arts
Side Gallery: George Marks Nineneuf9
August 13 – September 3, 2011
George Marks’s exhibition includes selected pieces from an ongoing series which Marks as the main character within environments representative of the landscape and culture of South Louisiana. The pieces are orchestrated to fit a continuous installation, while each individual piece is a stand-alone improvisation. As in past work, his medium is inextricably webbed to his sense-of-place message, incorporating a combination of materials and techniques. Although self-portraits, these works are a shared experience, allowing for personal and tactile associations – each may relate to a specific, personal memory for any viewer.
George is also featured in this month’s issue of Our Louisiana magazine:
Fresh Perspectives an artist and innovator creates new cultural venues
available on newstands now
Saturday, September 3, 2011
NEW WORKS BY GALLERY ARTIST GEORGE MARKS
September 6 - 20
George Marks
by Scott FinchGeorge Marks is a contradiction. His work is simultaneously ordered and spontaneous. Carelessness and rigid geometry mingle on the canvas. Passages of drawing in the work range from sensitively rendered figuration to loose impetuous scrawls. His palette is generally warm and harmonious, but searing thin stripes of color may awaken the calm. All of his pieces are deliberately orchestrated to fit together into a continuous installation, and yet each is also an improvisation.
The truly radical thing about Marks’ work is his process. Although, he simply labels his work with the obfuscating little phrase “mixed media on canvas”, he has developed a vocabulary of materials and techniques that are unduplicated. This rich and complex combination of materials may of course be appreciated in its own right, but for Marks this is not the point. Rather, the medium is inextricably webbed to the message. Nothing is done for a strictly decorative purpose.
Each material brings forth specific tactile associations, each recalls a memory, each assembles a part of the meaning of his work. He is a collector of textures, colors, and surfaces. He collects mental images of crumbling stucco on abandoned houses, trees rushing past his car window, and electrical conduits snaking around the corners of buildings. Sights like these are remembered and drawn upon to evoke the beauty in things that others might cast aside as imperfections.
His work brings forth far ranging art historical associations such as Edgar Degas to Barnett Newman, Richard Diebenkorn, and Donald Judd. What sets Marks’ work apart from many other modern painters, however, are his roots to the landscape and culture of South Louisiana . His work is never void of content, no matter how abstract the few simple notations become. His work recalls the flat broad vistas of that which each of us unconsciously knows by heart.
ABOUT THE ARTIST
Marks is a resident of Louisiana and received his Fine Arts Degree from Louisiana State University . He resides in his hometown of Arnaudville , Louisiana .
September 6 - 20
 |
| Our Lady of the French Table GM786 Mixed Media on Canvas 72" X 72" |
 |
| The Giver 1 GM782 Mixed Media on Canas 72" x 52" |
 |
| The Giver 2 GM785 Mixed Media on Canvas 72" X 52" |
 |
| Our Lday of Perpetual Sarcasm GM787 Mixed Media on Canvas 72" X 72" |
The Poet GM784 Mixed Media on Canvas 72" X 52"
 |
| Cotton Series GM783 Mixed Media on Canvas 44" X 40" |
 |
| Cotton Series GM788 Mixed Media on Canvas 44" X 40" |
George Marks
by Scott FinchGeorge Marks is a contradiction. His work is simultaneously ordered and spontaneous. Carelessness and rigid geometry mingle on the canvas. Passages of drawing in the work range from sensitively rendered figuration to loose impetuous scrawls. His palette is generally warm and harmonious, but searing thin stripes of color may awaken the calm. All of his pieces are deliberately orchestrated to fit together into a continuous installation, and yet each is also an improvisation.
The truly radical thing about Marks’ work is his process. Although, he simply labels his work with the obfuscating little phrase “mixed media on canvas”, he has developed a vocabulary of materials and techniques that are unduplicated. This rich and complex combination of materials may of course be appreciated in its own right, but for Marks this is not the point. Rather, the medium is inextricably webbed to the message. Nothing is done for a strictly decorative purpose.
Each material brings forth specific tactile associations, each recalls a memory, each assembles a part of the meaning of his work. He is a collector of textures, colors, and surfaces. He collects mental images of crumbling stucco on abandoned houses, trees rushing past his car window, and electrical conduits snaking around the corners of buildings. Sights like these are remembered and drawn upon to evoke the beauty in things that others might cast aside as imperfections.
His work brings forth far ranging art historical associations such as Edgar Degas to Barnett Newman, Richard Diebenkorn, and Donald Judd. What sets Marks’ work apart from many other modern painters, however, are his roots to the landscape and culture of South Louisiana . His work is never void of content, no matter how abstract the few simple notations become. His work recalls the flat broad vistas of that which each of us unconsciously knows by heart.
ABOUT THE ARTIST
Marks is a resident of Louisiana and received his Fine Arts Degree from Louisiana State University . He resides in his hometown of Arnaudville , Louisiana .
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